The New York contingent of the grand Francophone pop revitalization -- Les Sans Culottes, their offshoot Nous Non Plus, and, of course, scene godmother April March -- favor an overtly ironic, heavily kitschy updating of the great French pop music of the 1960s, as performed by Françoise Hardy, France Gall, and the like. Though Les Breastfeeders are occasionally lumped into that scene thanks to their monolingual Francophone lyrics and heavy '60s influences, they're considerably less cutesy.
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© 2008